Deluxe Telecaster?

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Earth, Union Chapel

There have been many Earths. Dylan Carlson has been the only constant, using the shifting line-ups as the vehicle for his vision of a music that is all about space, slowness, and repetition. As last night's concert made clear, he no longer needs a heavy metal framework to achieve his goal. Nowadays, understatement achieves heaviness. You could call it maturing.

Earth are currently Carlson on guitar, bassist Karl Blau, percussionist Adrienne Davies and cellist Lori Goldston. Goldston is best known for playing with Nirvana on MTV’s Unplugged provided the evening's closer, while the encore was a new piece, titled “Badger". The show began with another new, untitled song drawing from the folk standard “Black Waterside”. An airing of 1996’s “Tallahassee” was a surprise.

This was a concert to be experienced rather than enjoyed

Less surprising was that this was a concert to be experienced rather than enjoyed. On stage, the quartet were a formidable unit, taut and locked together. Carlson was in charge and communicated, mainly with Davies, by the odd nod. The music was built around repeated refrains. On “The Rakehell”, the six-note phrase was restated, recast. A basic jazz form. In practice this meant that the live Earth sounded like a quarter-speed Television, stripped of the flash. Or a treacle-footed Neil Young. Pushing away from minimalism , Earth are now about managing space rather than eradicating notes. They’re there, but far apart. All this makes Earth seem desiccated, without an arc. But Carlson has created a parabola, feeding back into itself. The effect is mesmerising.

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